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Instytut im. Jerzego Grotowskiego
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Rynek-RatuszBrzezinkaNa Grobli
                                                              
“Who, after all, speaks today of the annihilation of the Armenians?” A History of Ignorance
Panel with Krzysztof Czyżewski, Irena Grudzińska-Gross, Leszek Koczanowicz, Jarosław Fret

Sun 11 November 3pm
Laboratory Theatre Space
Admission free


Rather than focusing on the history of the events of 1915 or the history of the ensuing denial and taboo, the discussion will centre on the history of ignorance that feeds on inaction and leads to inaction on the part of today’s Europeans. On the other hand, the history of ignorance also includes the social story of building an accord of silence around each act of violence. The events in Anatolia in the early 20th century should launch us into a wider debate about lessons in witnessing after witnessing, which always turn into lessons in identity.


Krzysztof Czyżewski is a practitioner of ideas, poet and essayist. He founded the Borderland Foundation (Fundacja Pogranicze) and the Borderland of Arts, Cultures and Nations Centre in Sejny. He runs the Pogranicze publishing house, where he edits the series Meridian and S±siedzi (Neighbours). Czyżewski has set up a host of programmes for intercultural dialogue in Central Europe, the Balkans, the Caucasus, Central Asia, Indonesia, Bhutan and other borderlands. In 2011, together with other editors of Pogranicze, he launched the Centre for International Dialogue in Krasnogrud. He is President of the HALMA network of European literary institutions (Berlin), Chairman of the Council of the Eastern Partnership Culture Congress (Lublin) and, since April 2012, Artistic Director of Wrocław European Capital of Culture 2016.

Irena Grudzińska-Gross is a historian of literature and ideas, essayist and writer. Her studies in Roman literature were interrupted by the events of 1968; she resumed them in Italy and USA. She has authored books including Miłosz i Brodski. Pole magnetyczne (2007; Miłosz and Brodsky. A Magnetic Field), essays, reviews and journalism. She is a contributor to many journals including Aneks, Res Publica, The New Yorker, Slavic Review, La Fiera Letteraria, and Polish Review. She co-authored, with Jan Tomasz Gross, a historical essay entitled Złote żniwa (2011; Golden Harvest). She is a lecturer at New York University. From 2003 to 2008 she served as Director of the Institute of Human Studies at Boston University. She is currently Associate Research Scholar at the Department of Slavic Languages and Literatures at Princeton University, and Visiting Professor at the PAN Institute of Slavic Studies.

Leszek Koczanowicz is a philosopher and psychologist, professor at the University of Humanities and Social Sciences (Wrocław Faculty). His areas of interest include contemporary philosophy, philosophy of culture, and political philosophy. He worked in the Institute of Philosophy and Department of Cultural Studies at the University of Wrocław and in the Department of Psychology at the University of Opole. He lectured at SUNY/Buffalo and Columbia University, New York City. His books include Wspólnota i emancypacje. Spór o społeczeństwo postkonwencjonalne (2005; Community and Emancipations. The Discussion of Post-conventional Society), Politics of Time. Dynamics of Identity in Post-Communist Poland (2008) and Lęk nowoczesny. Eseje o demokracji i jej adwersarzach (2011; Modern Anxiety. Essays on Democracy and its Adversaries). Koczanowicz is the winner of the MISTRZ (MASTER) competition organized by the Foundation for Polish Science. 

 
Jarosław Fret, founder and leader of Teatr ZAR. Beginning in 1999, together with Kamila Klamut, he organised several expeditions to Georgia, Armenia, Greece and Iran, conducting research into the oldest forms of religious music of Eastern Christianity. This research became the point of departure for Gospels of Childhood. The Triptych, presented all around the world. He graduated in Polish philology from the University of Wroclaw in 1994. He worked in the Centre for the Study of Jerzy Grotowski’s Work and for Cultural and Theatrical Research from 1995, assuming the director’s function in February 2004. He has been director of the Grotowski Institute since 2006.