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Instytut im. Jerzego Grotowskiego
  • Polish
  • English
Rynek-RatuszBrzezinkaNa Grobli
                                                              
Contra/dictions
Studio Matejka Workshop
Led by Matej Matejka
Assisted by Guillaumarc Froidevaux


Thu-Sun 19–23 February 2014
Na Grobli Studio

Contact and application:
Please send your completed application form and CV to studiomatejka.workshops@gmail.com by 25 January 2014. We will get back to you by 27 January 2014. The workshop will be restricted to a limited number of participants.

Fee: 200 EUR

Workshop will be conducted in English.


photo by Karol Jarek

In this work session, we will explore the territory of “contradictions” as a source of research for the performer. Contradictions are not a limitation, but rather, by focusing simultaneously on opposite ideas, they open doorways for the inner, primal sources of the body to flow. The world exists as a dynamic fusion of contradictions in which the performer is able to discover a path to his total essence. Through a laboratory model that seeks to break the borders between dance, theatre and movement techniques, we aim to unlock the potentialities for beginnings, where action is born.
This is an invitation to delve into the rigorous and experimental workspace that defines Studio Matejka.

The aim is not to create bodies that are plastic devices in service to the storytelling of theatre, but on the contrary, to instill a practice that keeps the physical body a well-cleaned instrument, capable of complex subtle expression. By engaging the entire body-mind, the body becomes a luminous reflection of the inner thoughts and the channel for the self.
      Matej Matejka

Participants will be introduced to elements of:
  • respectful and focused working environment
  • the building of a personal, daily physical practice
  • sensitivity and listening through partner and group relation
  • awakening the anatomy of the body to develop readiness for action
  • transformation from physical training into creative improvisation
  • composition of physical structures
  • group rhythmical pulse and body rhythm

 

The workshop is targeted towards practitioners with an interest and experience in theatre or dance. It is open both for professional actors and dancers. This challenge requires serious focus and precision from all engaged in the work. It is open to those who are willing to explore less common fields of physical expression.


 

Creative Preparation
Chosen participants will be asked to bring:

  • three images of any personal inspiration (printed hard copies),
  • bring a text which has personal value (written by other author or participant) (printed copies),
  • if you have any competency with a musical instrument, please bring it to the session.

 

Conditions for Work

  • comfortable training clothing for dynamic movement and strenuous work (spare shirts recommended)
  • actors should be present in the space 20 minutes before a session begins for individual warm-up and stretching
  • only water and notebook/pens will be allowed in the space in order to keep a clean and hygienic working atmosphere

 

Studio Matejka began its activities in 2010 as a physical theatre laboratory exploring 21st-century performance techniques that specifically work across borders: Borders between performance genres, borders between training techniques, and borders between individual expression and collective resonance. Through practical investigation, the performers work to develop the strength, agility and dexterity to physically “speak” through a diverse range of ideas, images and vocabularies.
The Studio is led by Matej Matejka and composed of eight performers from seven countries. Additionally, the Studio is regularly accompanied by external affiliates. Vivien Wood (UK), Sarie Mairs Slee (UK/USA) and Milan Kozanek (Slovakia) assist the leader in the psychophysical research. Ditte Berkeley (Denmark/UK) and Jaros³aw Fret (Poland) lead music training and supervise music composition. Bryan Brown (USA) collaborates on the dramaturgy of the performances. The academic team of the Studio is supervised by Sarie Mairs Slee (USA) assisted by Torbjorn Oppedal (Norway) and Ragnhild Freng Dale (Norway) who record, contextualize and inform the laboratory research. The Studio’s film and documentary team is comprised of Adam Hanuljak (Slovakia), Peter Kotrha (Slovakia) and Karol Jarek (Poland).
www.studiomatejka.com

 

Matej Matejka is the founder and leader of Studio Matejka. He studied acting at the State Conservatory in Bratislava, Slovakia, later at JAMU University, Brno, Czech Republic. From 2001 to 2006 he was an actor with the theatre studio Farm in the Cave, Prague, and co-creator of the projects and performances Dark Love Sonnets, Journey to the Station and multi-awarded SCLAVI/The Song of an Emigrant (Fringe First, Total Theatre Award, Herald Angel, Alfred Radok’s Award, Golden Laurel Wreath).
Since 2005 he has been a collaborator of the Grotowski Institute as well as actor in Teatr ZAR, with which he co-created and performed in Anhelli: The Calling and Caesarean Section: Essays on Suicide, awarded with the Herald Angel and Total Theatre Awards in Edinburgh in 2012.
Since 2010 Matej has been the leader of Studio Matejka, an ensemble working under the auspices of the Grotowski Institute. In 2012 and 2013 he directed seven short films: Pearadise, Life While You Wait, Twenty Second Street, Juste comme ça, The Desire, The Mess and Biting Indifference. Pearadise was awarded Best Foreign Film at Los Angeles International Underground Film Festival. Also in 2012 and 2013 he directed a number of performances of Studio Matejka: Echoes of the walls underground are louder than the footsteps above me by Anthony Nikolchev (co-directed with Yuri Kordonsky); The Woman Decomposed by Gema Galiana; Charmolypi by Alexandra Kazazou; and Awkward Happiness, or Everything I Don’t Remember About Meeting You.
He has led workshop in theatres and universities all around the globe (UNEARTE, Venezuela; CalArts, California, USA; NSD, New Delhi, India; DS Delos of Dimitra Hatoupi, Athens, Greece; University of Salford, UK; Double Edge Theatre, USA; Charles Working Theatre, Boston, USA; Au Brana, France; Lebanon). In his work he searches for the performer’s “essence of communication” where both dance and drama are equal vehicles for the actor’s expression.

 

Guillaumarc Froidevaux was born in Switzerland, and graduated from Scuola Teatro Dimitri in 2005. Before this, he performed with TPR Theatre School’s Company and Théâtre Circus Junior. He has collaborated with groups such as Twof2, Palin Teatro, Teatro Paravento and DschungelWien, and is currently a member of the duo The Sunny Side Up. Other experience includes film, dance and cross-disciplinary collaboration. He co-founded, with Zuzana Kakalíkova, the company T-d’U, which presented its first play, Silence..., in 2008. He teamed up with visual artist Kelzang Ravach to create short films in Brussels. Guillaumarc was a teacher of acrobatics in LeZarti Cirque in Switzerland, and leads acrobatics and body rhythms sessions within the Studio work.