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Theatre Cinema: Lech Raczak

Tue–Wed 19–20 February, 6pm
Cinema Room
Admission free

Films in Polish


 Tue 19 February, 6pm


 Orbis Tertius, documentary excerpt 
30’; 1994; a Telenowa s.c. production for Polish Channel TVP2, 1995
Written and directed by Jacek Kubiak; photography by Stanisław Mąderek and Józef Kowalewski; sound engineering by Andrzej Szalbierz; music by Lidia Zielińska


Orbis Tertius
follows an international company of actors as they work on Lech Raczak’s first production after his split with Teatr Ósmego Dnia. This play, inspired by the writings of Borges, Eliot, Dante, Shakespeare and Conrad, explores questions of finality, of the fundamental, of the beginning and the end; of what one should believe in when nearing the end. “And if the answers prove to be too trivial, too difficult or too complex, then what?”, asks Raczak.


 Lecha Raczaka gry z czasem,documentary 
 (Lech Raczak’s Playing with Time)

33’
Written and directed by Agnieszka Nawrocka, produced for TVP Poznań


Lech Raczak’s career is a road full of twists and turns. In 1964, together with friends, he founded Teatr Ósmego Dnia, one of the most influential companies within the Polish fringe theatre circuit. After many years together, he left the company seeking new avenues of creative expression. He became director of the repertory theatre Teatr Polski in Poznań, and has collaborated in institutional theatres in Legnica, Warsaw and Gniezno. He has also directed in theatres in Poland and Italy.
The film attempts to portray Lech Raczak and offer insight into his views on arts, history and the present.

 

 

 

 

 Wed 20 February, 6pm


 Plac Wolności (Freedom Square), footage of the performance 
100’; a National Audiovisual Institute production
The performance was recorded on 26 and 27 May 2007 in Teatr im. Heleny Modrzejewskiej in Legnica
Performance directed by Lech Raczak; sets by Bohdan Cieślak, Piotr Tetlak; costumes by Małgorzata Bulanda; music by Lech Jankowski; musicians: Cyprian Komza, Robert Kamalski, Łukasz Matuszyk, Amadeusz Naczyński; with Katarzyna Dworak/Magda Skiba, Justyna Pawlicka, Anita Poddębniak, Małgorzata Urbańska, Ewa Galusińska, Daria Anfelli (Przemysław Bluszcz, Bogdan Grzeszczak, Tomasz Radawiec, Tadeusz Ratuszniak, Paweł Wolak, Lech, Paweł Zdun, Tomasz Sobczak, Rafał Cieluch





The performance was inspired by a novel by Antonio Tabucchi, Piazza Italia.
Over 100 hundred years of history unfold on stage in the form of deft metaphors,. It all begins in the early 20th century, in a small Polish town, where a family takes in a boy foundling. The boy hates the world, has the ability to foretell the future and see more than others do. He embodies the tortuous history of the whole century. We witness two wars and surroundings events: killings of Jews, resistance, interwar social conflicts, Stalinism. These events form the backdrop for personal stories and the irrelevant recurring motif – the circus. Eventually, we get to the present – the square renamed Freedom Square. The present is not a theatre, but a circus, the time of excess and overproduction, where everything is more real than reality, or – to borrow a term coined by Jean Baudrillard – hyperreal. Real power means the ability to inspire laughter, fear or admiration. There is also some undefined nostalgia in this world. But it can’t be for the past, can it?





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