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Instytut im. Jerzego Grotowskiego
  • Polish
  • English
Rynek-RatuszBrzezinkaNa Grobli
                                                              
ATIS STARS
STUDIO || ROSA’s open seminar as part of an its exploratory theatre undertaking called Feeling the PULSE   

Led by Prof Grzegorz Zió³kowski
Assisted by Maciej Zakrzewski and Maria Bohdziewicz
Guest teacher: Roberta Secchi (Teatro La Madrugada, Milan, Italy)

Sun–Sat 9–22 August 2015
Brzezinka, forest location of the Grotowski Institute
In English

The seminar aims at exploring the intersections between technical aspects of theatre work and the spheres of the imagination, composition and creation. The explorations focus on awareness, responsibility for one’s actions and the harmonisation of breath, body and voice. ATIS is devoted to the formation of ethical attitudes in relation to theatre art. Theatre is understood here as a space for sharing questions about humanity with others.

Work elements
  • actor training
Work on breath, flow of actions, partnership, rhythms, singing, spatial awareness, text
More information: www.grzeg-atis.home.amu.edu.pl.
  • group composition From STARS to SILENCE
The composition – with the music of Polish accordion group Motion Trio – studies reactions of individuals to organised and structured systems represented by group formations. Its aim is to:
  • balance the group’s energy (the composition can be viewed as an ironic commentary on the ‘star system’ of acting)
  • study different aspects of training (above all: spatial awareness, rhythm, timing and synchronisation)
  • provide a frame into which advanced elements of training work may be interwoven.
  • individual etudes
Etudes are short (up to 15 minutes), precise and repeatable scenes which may include texts, songs, dances, actions, music, etc. They are studies of specific issues related to the intersection of training and performance – melting pots where the work reaches its highest intensity and tempo.

Work material
The work material for etudes (texts, music, songs, images, etc.) should be selected by participants and correspond to the main theme of the seminar, STARS.

Photo by Maciej Zakrzewski

Schedule
Sun 9 August, arrival
17:00, opening meeting, overview of participants’ propositions
Mon–Sat 10–15 August
9:00–13:00 and 17:00–21:00, work sessions, lectures, dialogues
Sun 16 August
16:00–22:00, individual tuition
Mon–Thu 17–20 August
9:00–13:00 and 17:00–21:00, work sessions, lectures, dialogues
Fri 21 August, individual tuition, photo documentation, summary
Sat 22 August, departure

Fee
450 EUR (EU and US)
350 EUR (Poland and other countries)
The fee includes work sessions, transport (Wroc³aw–Brzezinka–Wroc³aw) as well as food and lodging.

Contact and application
Please email your completed application form and video of your work to grzeg@amu.edu.pl by 1 July 2015. The organisers will get back to you by 10 July 2015. The number of places is limited (16).



Roberta Secchi graduated from the United World College of the Adriatic (1986–88) and the Academy of Fine Arts of Brera in Milan (1988–92). After intensive travelling in India she co-founded Teatro La Madrugada in Milan in 1994, where she trained as an actress with masters from Teatro Tascabile di Bergamo, Odin Teatret and Scuola d’Arte Drammatica Paolo Grassi. She is a dramatic and musical actress, also walking on stilts in street performances. She has studied bharata natyam (Indian theatre-dance) for 16 years with Master Ujwal Mukund Bhole from Pune, India. From 1999 she has been developing pedagogic skills. Her work sessions focus on the physical and vocal training that come before work on a specific text or play. From 2010, thanks to extensive collaboration with public libraries in Milan, she has been combining theatre work with creative writing in difficult social contexts, including jail and juvenile detention centres. From 2007 to 2011 she co-led the sessions of Regula contra Regulam in Brzezinka, the Grotowski Institute forest location (Poland). In 2008 she was a guest teacher at Diaspora 2008, organised in Glasgow by the National Theatre of Scotland. In 2009 she co-led Regula contra Regulam session at Hooyong Performing Arts Centre in South Korea. Between 2009 and 2013 she was four times guest teacher in Turkey: at the Universities of Eskisehir, Trabzon and Ankara for the Creative Drama Seminars, and at the Culture Department of Bornova Municipality (Izmir) for the 4 Seasons 4 Colours Festival . She created a solo piece, Lorca Was Everybody, directed by Torgeir Wethal (Odin Teatret), which premiered in February 2010 and was performed in Italy and Poland. She is currently working on a solo performance about the art and life of American writer Djuna Barnes.
More information: www.teatrolamadrugada.com.

Photo by Maciej Zakrzewski




As part of ATIS: Acting Techniques Intensive Seminars